Thank you to all who contributed, all who attended, and all who lent their support in the creation and exhibition of these works!
Oppenheimer’s Chair and The Meeting at New Mexico History Museum, through May 2019. Installations on loan from the Tia Collection.
Eden In Iraq: In The Marshes, at Currents New Media Festival 2018 through June 24th.
Tickling The Dragon’s Tail at Peters Projects through August 11th.
Eden Turned on Its Side at the UNM Art Museum, final weekend: June 16th.
Saturday, June 16th
Peters Projects, Tickling The Dragon’s Tail
Afternoon reception Saturday 3-5 pm
exhibition runs June 8 – August 11
Friday, July 13th
Tech And The West Symposium
A Sense of Place panel discussion at 10:30am
with Meridel Rubenstein and Will Wilson, moderated by Dr. Alison Fields
(and join us for a tailgate celebration before the opening of Dr. Atomic at the Opera the following
Friday, July 13th
Book signing at Photo-Eye Bookstore
Eden Turned on Its Side, 4-5:30pm
CURRENTLY ON DISPLAY:
Atomic Histories NOW OPEN at the New Mexico History Museum
(exhibition runs through May 2019)
CURRENTS New Media Festival 2018: In The Marshes Installation, from Eden in Iraq
(exhibition runs until June 24th)
University of New Mexico Art Museum in Albuquerque, NM
Eden Turned on Its Side
(through June 16th)
A UNM alumna, Rubenstein has long been drawn to concepts of home, place and the environment. The show marks the first time her series “Photosynthesis,” “Volcano Cycle” and “Eden in Iraq” have been grouped in a major photographic exhibition. “Photosynthesis” focuses on the natural cycle of the seasons and our dependence on trees. “Volcano Cycle” documents the active volcanoes of the Indonesia to explore environmental change on a non-human scale. “Eden in Iraq” examines environmental devastation and renewal at the site of the biblical Eden.
– Kathaleen Roberts / Journal Staff Writer
MERIDEL RUBENSTEIN, EDEN TURNED ON ITS SIDE
CONVERSATION AND OPENING CELEBRATION
Meridel Rubenstein, Eden Turned on Its Side.
4 – 6 pm: Opening Reception
February 2 – June 16, 2018
Our collaborative wastewater garden project Eden in Iraq opened at the National Design Centre on October 6th in Singapore. The exhibiton documented thus far our 4-6 year research and design process short of building the wastewater garden. Selections from my photographic and video art accompanied the installation.
My new book Eden Turned on its Side (University of New Mexico Press, forthcoming February 2018), had a pre-publication preview and book signing.
Eden In Iraq is an interdisciplinary, environmental art and design exhibition tracing the evolution of the wastewater remediation project in the marshes of southern Iraq near the historic site of the Garden of Eden.
We used environmental art, design, and wastewater to create a restorative wastewater garden for cultural memory, education, and shared social space. Drawing on Islamic and Mesopotamian traditions originating in this historically and symbolically charged region, the Eden in Iraq Waste Water Garden was designed to be a syncretic container for ecological and cultural restoration.
Prof. Meridel Rubenstein – artist/photographer, School of Art, Design, and Media, Nanyang Technological University, Singapore.
Prof. Peer Sathikh – industrial designer, School of Art, Design, and Media, Nanyang Technological University, Singapore.
Dr. Mark Nelson – environmental engineer, Institute of Ecotechnics (U.K., U.S.).
Dr. Davide Tocchetto-environmental engineer and agronomist, Wastewater Gardens International, Italy.
Prof. Sander van der Leeuw – archaeologist and complexity scientist, School of Sustainability, Arizona State University, USA.
Jassim al Asadi – engineer, Managing Director, Nature Iraq, NGO, Chibaish, southern Iraq.
For more information about the project and photos from the exhibition, click here.
Below is the video of the talk I gave last week at the School of Sustainability at Arizona State University about the Eden in Iraq Project.
A link to watch the Q&A session: https://vimeo.com/204211258
Our team member Sander Van Der Leeuw introduces the talk and leads the discussion.
Most interesting are the questions asked during the discussion and some of Sander’s responses. Most rewarding to me was the response by the audience to the scale of the project and that 5 acres per 7500 people to recycle waste was to them very reasonable. I had been worrying about the size and cost and amount of people benefiting.
Sander pointed out elegantly the benefit of a project that comes from the ground up with locals and local materials used rather than imposed from the outside.
The Arizona State University Museum of Art is interested in taking the exhibition we will present in Singapore next October. (More about this soon).
My adjunct position at the School of Sustainability was renewed indefinitely and they are happy to have our project brought under their umbrella as well.
We’ve finished the Business Plan and fund-raising efforts are beginning.
I had a Skype meeting with the Program director from UNESCO in Iraq on Monday to acquaint them with the project and to consider any future planning we might do together.
I will return to Singapore on March 6th. Essays are now completed for my book and exhibition at the University of New Mexico Fine Art Museum. Eden Turned on its Side and Iraq images are almost completed. Alan Weisman, author of The World Without US and Countdown has written a fine essay about the Garden of Eden from an environmental and social perspective and curator Dr. Shawn Michelle Smith from the Chicago Art Institute has written a great piece relating the issues in my work to the age of the Anthropocene.
The book will be ready in time for the Singapore exhibition.
There was an amazing essay by Dexter Filkins about the Mosul dam breaking and flooding Northern Iraq in last months New Yorker that was heavily on my mind. Instead a pipe froze in my house flooding it from end to end. So by day I’ve moved 45 years of art work to Albuquerque and by night kept writing. My best friend, Ciel Bergman, died just after the flood and another close friend, a next door neighbor, has had a recurrence of her cancer with not good news. So flanked by water and death in the desert here in New Mexico, the idea of Eden in Iraq has kept me going.
On Friday, August 5, 2016 at 5:30pm I will be presenting a gallery talk at the New Mexico Museum of Art, to speak about my photo series of the lowriders from 1980, which is currently part of the exhibition Con Cariño: Artists Inspired by Lowriders.
Challenged by a suggestion that lowriders were the true craftsmen of New Mexico, in 1979 photographer Meridel Rubenstein ventured to Española to meet and photograph them. Rubenstein recognized lowriders as fellow artists and says they changed her own approach to making art. Her portraits of lowriders were featured in the Museum of Art’s 1980 exhibition The Lowriders, held outdoors on the Plaza alongside a car show.
I am pleased to be a part of two Museum shows this Spring through the Fall of 2016. On May 1 the New Mexico History Museum will present Lowriders, Hoppers, and Hot Rods: Car Culture of Northern New Mexico, where several of my Lowrider prints from 1980 will be on exhibit. Photo Curator Daniel Kosharek has pulled together an extensive collection of images by Don Usner, Annie Sahlin, Jack Parsons, Sam Adams, Norman Mauskopf, Dottie Lopez, Gabriela Campos, Meridel Rubenstein and others.
On May 21, the New Mexico Museum of Art will unveil Con Cariño: Artists Inspired by Lowriders, an exhibit (through October 9, 2016) curated by Katherine Ware showing photographs and art inspired by car culture. Ahead of the exhibits, on April 15, the Museum of New Mexico Press will release a companion book featuring essays by Ware and Usner.
“These are artists who have engaged the natural world and humanity’s place in that world, over many years,” says 2016 Biennial co-curator Wendy Watriss. “Many of the artworks manifest the artists’ rigorous investigations into science and philosophy.” Featured projects address the anthropocene – climate change; industrialization and urbanization; bio-diversity; water; the use of natural and human resources; human migration; global capital, commerce and consumption; energy production; and waste.
Please visit FotoFest for more information on the exhibition and events.
Copyright © 2020 Meridel Rubenstein. All rights reserved.